To the editor: I first saw Andre Previn at the Hollywood Bowl in 1965, and it was love at first sight. I remember going backstage after the concert, where it was crowded with movie stars -- but the autograph I wanted was Previn's. I still have the album of his jazz variations on the "My Fair Lady" score that he signed for me so many years ago. I saw Previn many times at the Hollywood Bowl after that, especially while he was music director of the Los Angeles Philharmonic in the late 1980s. I remember so well Previn conducting Rachmaninoff's Piano Concerto No. 2, Grieg's Piano Concerto in A minor and Gershwin's Concerto in F from the keyboard.

Alex Lacamoire has hearing loss. But the Tony-winning music director of "Hamilton" wants you to know, he's no Beethoven. He's heard that you can see teeth marks on the wood inside Beethoven's piano "because he would bite it to try to be able to hear the vibrations," Lacamoire said. My hearing is not that bad." When he was 2, growing up near Los Angeles' Koreatown, Lacamoire would sit in front of the stereo and stare into the speaker, drawn to music like a drug. When he was 3, his mother observed him sitting too close to the TV, following the characters on "Sesame Street" with his eyes. "I noticed that when I called him, he'd run away like he wasn't paying attention," Maria Lacamoire said. She took him for a hearing test, where it was discovered that he had mild hearing loss. "I think I was a little bit too young for it to really understand," Lacamoire said. "All I remember is, like, oh wow, they're putting this weird goop in my ear to mold me [for hearing aids] and then I walked away and I had these little apparatuses behind my ears." When he was 6, the school district recommended that Lacamoire attend a special class that combined sign-language instruction along with spoken language. "That was devastating for me," his mother said, "because I didn't notice any other problem with him, because he was very smart." She appealed the decision, and Lacamoire was given an IQ test. He not only joined a mainstream class at Commonwealth Avenue Elementary School but also skipped the first grade. "Alex was the most outstanding student I ever had," said his second-grade teacher, Dorothy Chapman, who taught at Commonwealth for 25 years and retired in 2002. Children with hearing loss, especially when that loss is identified late, often lag behind their peers because they've absorbed less vocabulary and less information. Chapman said the charming little 6-year-old would finish his assignments in five minutes, whereas it took his classmates 20, so she would give him third-grade work. "I've just always been drawn to design, whether it's uniformity or harmony -- and by harmony I mean symmetry and balance and those kinds of things," Lacamoire said. He found beauty and design in the piano, and starting lessons at age 4. After his family moved to Miami when he was 9, he attended an arts high school and then the New World School of the Arts. For Lacamoire, music was "as fluid to me as writing down words.

Little Theater has a tiny orchestra pit, with room for only a handful of players, and a modest budget. So when it mounts a big musical like "Beauty and the Beast," it brings in an electronic ringer. A laptop computer, loaded with a program called OrchEXTRA, serves as a "virtual orchestra," from strings to woodwinds, drums to horns, giving the music such a rich sound that audience members may wonder how a full Broadway orchestra fits into the tiny pit. "As far as sound quality, these things are great," says Dorian Boyd, the sound designer/technician for Little Theater, referring to OrchEXTRA. Virtual orchestras are much better than the early systems of just a few years ago, he says, which could sound like "video game music."

Neville Marriner, the first music director of the L.A. Chamber Orchestra and the founder of the Academy of St. Martin in the Fields chamber orchestra in London, died Sunday night, the academy said. Millions of moviegoers who may not recognize Marriner's name have nonetheless been touched by his work: He served as music supervisor for the film version of "Amadeus" and conducted the soundtrack, which went on to be one of the bestselling classical recordings of all time. Born April 15,1924, in Lincoln, England, Marriner studied at the Royal College of Music and the Paris Conservatoire. He began his career as a violinist, eventually playing in the London Symphony Orchestra. Later, what started as a group of friends gathering to rehearse in Marriner's living room became the Academy of St. Martin in the Fields, a premier chamber ensemble that gave its first performance in its namesake London church in 1959.